Monday, June 15, 2015

WE ARE STILL HERE


Thank you, Ted Geoghegan. Thank you for taking me back in time to where movies were more simple and driven by story rather than kill counts. :)

Again, I'm keeping this little review short and sweet.

WE ARE STILL HERE is a tight and tidy little film. People have been referencing Lucio Fulci lot when it comes to this film. I can see that - THE BEYOND or maybe HOUSE BY THE CEMETARY. Sure.  But I see it being more along the lines of Gary Sherman's work  - DEAD AND BURIED in particular. Also, the pace is very Ti West - slow and deliberate.  It has this dreamy, otherworldly quality to it that I love. The plot is simple - the time is the late 70s and a couple moves into a home after the death of their son. There seems to be some haunting going on. 'Nuff said for this.





There are some genre favorites in the film as well. Barbara Crampton, Andrew Sensenig,  Monte Markham, Larry Fessenden and Lisa Marie and turn in fab performances and really sell the whole of the storyline.






And at the helm, Ted Geoghegan proves that he really knows his stuff when it comes to delivering scares. This is only his second Director credit, but I can not wait to see what else he comes out with based on how WE ARE STILL HERE turned out. Like the aforementioned Ti West, he's not scared to take time to sell the story and environment. There are scenes of stillness and quiet that craft and eerie landscape where creepy things can happen. Stark and cold, you can feel the tension at all times.

And when something does happen, it packs a punch.



A funny side note - I'm a popcorn hound. I love the stuff and usually make my own (...which people tend to rave about. :) )  Well, I wanted to take things "Old School" when watching this film and had to get an old favorite - Jiffy Pop - when I saw it in the store. I felt this would complete the experience nicely, taking me back to when I was a kid watching CREATURE FEATURES and eating JIFFY POP. Well, not only do I find out that the film takes place in the same time period as my Creature Feature watching time, but that Jiffy Pop figures into one of the opening scenes of the film. Rather creepy in a way - I have not had Jiffy Pop in almost a year....maybe longer. Geoghegan told me via Twitter that they had a hard time finding Jiffy Pop there, so they ended up just crafting it for the film! heheheh

This film isn't INSIDIOUS or films of that style. It's not going to run you through a roller coaster of shocks and scares and toss you around in a heart-racing way. This film stalks up behind you....slowly and quietly...then leaps out at you from the darkness that it live in, rattles you, then bolts back into the shadows again. You don't know when it's going to strike next....


Check out WE ARE STILL HERE - lights off and ready for some great, creepy story!  












Tuesday, June 2, 2015

Come Back to Me (2014)

HA! A super quickie review.

I saw COME BACK TO ME a while back and thought it was going to be a toss away after it began. Kid sees his mother get punched around and more, she's killed and it's obviously "Norman Bates" time, right? Well, this film is so much more than that it turns out.

I thought it was smart, interesting and had me laughing out loud as the plot unfolded. (...because I was happy that there was so much more to this film than what I had originally thought - quote, "Oh! OH! HA! Ok...ok...good one....")

The film has some grand performances from Katie Walder and Nathan Keyes, and a solid script and some nice Direction from Paul Leyden on his first feature. Looking forward to seeing what else he does in the future!

Give COME BACK TO ME a go. I think you'll dig it.



Thursday, May 21, 2015

HAUNT (2014)

 



                      WOW!    :)







I was rather shocked that HAUNT (currently on Netflix streaming at the time of this posting) was actually really, really good. I've taken to tossing these really bad movies on while working - having them play on the lap-dog to the side while I work on my "real" computer for actual work. Most of the time, the film goes on and I don't think much of it until something spooky starts, then I glance over, watch the scare, then go back to work. Helps me get through the day.

Well, it turns out that HAUNT was one of the films I put on that I actually had to stop and watch at a later time when I can actually watch what's going on because it's too good to side-watch. hehehe

Writer Andrew Barrer took a simple concept and added just enough to make it move along at an interesting pace with characters that you actually care about and a plot that holds your attention. The script was well executed by Director Mac Carter in his feature film debut.  When topped with some good acting and fun effects work, the film turns what could have been another yawning bore into something I really enjoyed.

I don't want to say too much - there is an element of mystery involved here. It's basically a new family moves into a haunted home and the young boy of the family meets the cute girl next door. They start digging into who is haunting the home and - you guessed it - things don't go well. At all.


This was a fun and fresh horror film I really enjoyed. Jump to it - I think you'll enjoy it!









Ghost Walk by Brian Keene


We have a lot going on in our family with a 4 year old and a 2 year old, work, freelance and more family business. It's hard to pick up a book at the end of the night instead of crashing on the couch with the television telling me stupid stories. :) Well, I was FINALLY able to finish GHOST WALK by Brian Keene and man...I hope someone options it for a film! hehehehe    I'd love to see it done well by someone. There are so many cool elements to the story it just seems ripe for someone taking it on.

The general plot (spoiler free) is simple. There is an ancient evil that is making it's way into our world from the beyond a la Lovecraft and a small group of people need to stop it before it does. It just so happens that the field area where the locals are setting up the Halloween Ghost Walk is entry to our world.

Now, this may seem rather basic in premise, but Keene's execution is fun and highly entertaining.


The characters are believable and interesting. The pace is grand - flowing from one scene to the other and building into a frenzy at the end. And, it read well, if that makes sense. It never stumbled over itself trying to be something grand or overly deep, but in that simplicity it became something kinda grand in a way. Something that had me nodding my head and smiling about from time to time as I thought, "Right on - that's really cool."

Short, sweet and to the point - I really enjoyed this book! Well worth a read through. Pick it up!

Thursday, January 29, 2015

Berberian Sound Studio

Berberian Sound Studio
Director: Peter Strickland
Writer: Peter Strickland
Stars: Toby Jones, Antonio Mancino, Guido Adorni

Continuing the "I'm not sure you will like this film because it's so odd" theme I seem to be having at the moment, I thought about Berberian Sound Studio. This is definitely not a film for everyone, but I loved it.It's not a "horror horror" film, but it's disturbing on many levels.




Toby Jones plays a mild mannered folly artist sound editor type who goes to Italy to work on a horror film. There's much stabbing of mellows and women screaming in sound booths as they work on this horror film we never actually see. But, as he works on the film, the film starts working on him and he starts to drift into a world that is definitely not his own.



I love the fact that the films focus is on the sounds that go into a horror film. While we never see the actual film, we are giving the description of the horrific event we're working on the sound for, so the sound itself becomes like a audio switch for what we are supposed to be seeing in the film. It worked wondrously and gave me chills from time to time.



The fact that this strange world of the studio is where we spend most of our time allows for the dream-like (nightmare, really) aspects to really pop. He wanders about - an Englishman in an Italian landscape - trying to work like he does when he's dealing with his documentaries and sleepy films and it's just not the same world at all. When his grip on what's real starts to slip, things get to be very interesting indeed.



I loved the film. I thought it was interesting and odd and a lot of fun. Again, a relief from the endless sea of cinema verité, zombie, cgi paranormal ghost dreck out in the world right now. Version after version of a copy of a copy doing the same damn things we've seen time and time again. This film is...not that. Not that at all. The visual style is grand. Sights and sounds play together to show what goes into some of the folly work - creating visceral, audio support for the visuals on the screen. The visuals are kinetic and curious in many ways as we watch dials and hand movements and people moving about in a world full of deep shadows and dim lights.


Perfect for a late night viewing, too. That peak time around midnight where your mind starts getting a bit mushy. :)



Amer

AMER (2009)
Directors: Hélène Cattet, Bruno Forzani
Writers: Hélène Cattet, Bruno Forzani
Stars: Cassandra Forêt, Charlotte Eugène Guibeaud, Marie Bos


I love the work of Hélène Cattet and Bruno Forzani. It just makes me so very happy. It's exciting, visually stimulating and mentally challenging on many levels. It's not "light reading" material - you're not going to just toss it on as filler. However it ticks off so many boxes and works on so many levels that I think the films are very re-watchable and highly entertaining if you like the style.

We're talking very Bava, Argento (early Argento) giallo style films with lots of curious scenes and some wondrous, dream-like cinematography.



AMER is the story of a girls life. But, not an ordinary life. Not an ordinary film, either. It's a film in three parts, looking at her life as a child, maturing teen and a woman. Each section is handled in a stylistic way and each could be looked at by itself or as the full set.



Cassandra Forêt plays the young girl in the first section. This area has a very Argento feel. Something is going on in the girls house and the mother and father chat in whispers while the grandma deals with... something...downstairs.  The girl peeks through keyholes and ventures out to investigate and things get very, very strange and creepy. I think this was my favorite section. It has very little dialog, but a rich storytelling that I enjoyed a lot. Creepy shadows and characters bump around the old house and creep about creating a fantastic, gothic feel with strong, Suspiria-like fantasy tones.



Charlotte Eugène Guibeaud plays the adolescent girl in the second section. This was the most normal section of them all and really just shows the girl getting ready to venture out into the world and away from her mother...and towards men. This section, too, has very little dialog if any at all and is shot in a wondrous style similar to a Milo Manara comic (...without so much sex and nudity, mind you :::grin:::)  Emotion through eyes and lips and actions.

Milo Manara's style seems present



Marie Bos enters as the adult and ventures back to the house where we saw her as a child. The place is a rundown, older home now and is in disrepair. She explores in shadows and something or someone eventually starts shadowing her. More giallo than fantasy horror, this section is also shot beautifully and has some grand, bump-in-the-night moments.


All three sections play like a separate film, but all three work wondrously together as well. While the second section drifts away from horror,  it still works well to show the development of the woman. And I found all three sections to be visually stunning.



As I watch more of the Directors works, I can see that the style is basically the same with their work, but this works for me because I love their style. :)

If you like visuals, arthouse films, the early works of Dario Argento and Italian giallo mysteries, seek this film out.


You may also enjoy:
http://horrorsho.blogspot.com/2015/01/the-strange-color-of-your-bodys-tears.html







Tuesday, January 27, 2015

The Strange Color of Your Body's Tears

The Strange Color of Your Body's Tears
Initial release: March 12, 2014 (France)
Directors: Bruno Forzani, Hélène Cattet
Cinematography: Manuel Dacosse
Writers: Bruno Forzani, Hélène Cattet
Stars: Klaus Tange, Ursula Bedena, Joe Koener |

Yes, a small format change. I've only gotten a four of five hours sleep, so this seems like a perfect time to change the format of a blog that no one reads anyway. :::grin:::

I have two kids. I work a crazy gig and do freelance on top of it. I have the usual array of extended family issues and I most likely drink too much whiskey. So, there are times where this soon to be 46 year old body wakes up in the middle of the night and thinks, "Yeah, being awake is the right thing to do right now."

Usually when this happens, I lull my brain back to sleep with podcasts, filling in gaps of thought to fool my brain into not thinking long enough to fall asleep again. However last night I thought that it might be the perfect time to watch a film. And, not just any film, but The Strange Color of Your Body's Tears. I saw the other writer / director / partner film AMER and loved it and saw what they presented for THE ABCs of DEATH, so I was longing to see what visual treats Strange Color had to offer. I was not disappointed, though I'm SURE many were. The film is not for the average viewer. It's really meant for the artsy and strange among us.

Preface: If you dislike the earlier works of Dario Argento, the work of Mario Bava, Italian giallo mysteries or art films, do yourself a favor and just avoid this film. Thank me for your hour and 40-some-odd-minutes of time back later. :)  If you love all of the above, dive on this film on Netflix streaming or what-have-you at once. 

This is a mystery first and foremost. A man comes back from a business trip only to find his wife is missing and the apartment is locked from the inside with no sign of where she went. Grand. Our hero Dan is a bit off and becomes a sort of menace in the apartment building as his lost wife searching grows to a frenzy. Enter a detective and more questions than there are answers. I'll stop there - going deeper just gets....strange.

The film is visually stunning and tells a visual narrative with very little dialogue throughout. Like the work of Bava, the film is lit dramatically with lots of red, green and blue gels. The plot line is riddled with metaphor and vivid visual aspects that had me swooning. The sound design had me listening to the sounds in my own life differently all day long.




I love these loose, strange and nightmare-like tales, so this was right up my alley and I loved it as much as I loved their other feature, AMER, though I thought this was more loose and dreamy with far less attention to the plot and far more to the visual aspect of the story. And, if you've seen AMER, you know that means a lot seeing as it had hardly any plot at all.

Watching The Strange Color of Your Body's Tears at 4am was FANTASTIC. It added to the "did I just see what I thought I saw?" the the movie already has in spades.  Yes, I was disappointed that I couldn't find more love for the film in my brief internet search, but I wasn't surprised either.  The WTF Are You Watching Podcast seemed to get what was going on, but other folks seemed like they were not aware of any of the factors listed in my Preface - at all. I felt like saying, "Are you familiar with anything along the lines of Argento, Bava, giallo or Italian Cinema of the 70s in any way, shape or form? Cause these folks NAILED it."  But, like I said, it's not a shocker, either.

There are strong sexual themes in this, but they don't come off as lame, toss away "boobie thrills". These are more like deep, psychological explorations that leave you rather rattled by the end. Very similar to an Argento film, really. The score is brilliant as well, pulling many giallo based soundtracks of the past into play. 

This movie has haunted me for most of the day. I'll forget about it for a moment, then something - a sound, visual or image from the movie will pop me back into the film space and I'll start thinking about it all over again. There are scenes and frames that are burned into my memory - the same thing that happened when I saw AMER. The same thing that happens when you wake up after having a vivid dream and start talking about the scenes within it.  

I enjoyed this little nightmare and loved that I was left with more questions when it was over. It allowed me to explore what I just saw and dive into the various possibilities. Fab!

Especially after seeing SCREAM 4 the previous day. :::yawn::::  heheheh  This was a much needed breath of fresh air.

Loved it.


Dream or nightmare?

Framing - brilliant.



Shots like this made me super happy. :)