Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts

Friday, September 20, 2019

Story: "It's Only A Paper Moon" (revised 2019)







You can find more of my written work here: MEANWHILE....

And, check out the amazing Shelby Scott reading this story on the wondrous SCARE YOU TO SLEEP PODCAST. She did a fantastic job!

“Yes, it's only a canvas sky Hanging over a muslin tree But it wouldn't be make-believe If you believed in me 
Without your love It's a honky-tonk parade Without your love It's a melody played in a penny arcade”




It's Only A Paper Moon by Malcolm Johnson


Rain beats against the window as music starts to fade away in the nightclubs hallway. The last of the dancers make their way down the hall – eager to change and leave for the night even if it means a walk in the rain. Their muffled voices drift away on the other side of the door.

The tiny room of Shelly Cole is dingy and smells of mold and something else. Something sour. The clubs main singer paces in her dressing gown, crumples the newspaper in her hands – the date reading August 16th, 1944 – and tosses it onto the dirty wood floorboards. She's done for the night. So done. Tears stream down her cheeks as her breasts dance under the sheer silk of her dressing gown. Her raven hair and dark eyes catch the light from the small lamp on her dressing table from time to time and seem to sparkle and glisten.

“Are you serious this time or it this another ploy? I mean, I'm not going to stay if you're just putting me on again. I can't take it no more.”

A tall man stands in the corner of the room and stares out of the darkness. He looks over to the weeping woman and wishes he could tell her what she wants to hear. He wishes he could tell her anything. His suit is filthy and wet with the night's rain. He stares out from the shadows in the corner of the small room and longs for her. So close. So far away.

“Ya big lug. Leading me around by the nose.” She wipes her tears away and her voice grows louder. He glares. If she keeps this up, they'll track ‘em down, break in, and find the two of them. Then what? Being in this closet of a room didn't leave a lot of options.

Her gown shimmers in the streetlight streaming through the filthy window an she looks radiant. Glowing. Her voice slips through the room like syrup and fills his ears with song even when she isn't singing. He can hear heavy footsteps on the stairs. Not the footsteps of small dancers, but the thumping of blunt men.

The club was packed earlier, but he's not sure it matters to the likes of the mob. Hell, they probably owned the joint. For all he knew, they owned her. He strains to hear any sign of them coming closer.

Somewhere down the hall dancers chatter and make their way outside in the glow of the club lights as it starts to close up for the night. Guy Lombardo proclaims that some dame is making him crazy. There's something funny about that, but he can't laugh about it now.

Her wailing takes him by surprise as she screams out, “Why'd ya go and leave me in tha’ first place!? You said you'd always take care of me! You promised, Tommy!”

He holds up his hands and waves his arms stiffly, then glances at the door. Shelly needs to be quiet. Quiet as a mouse. He presses back into the shadows as the door jam splinters inwards and the door of her dressing room springs open. Subtle these boys ain't. Two silhouettes of mountains fill the doorway.

“Well well well….” One of the mountains moves into the room and has a look around. They either don't see him or figure two to one is good odds in their favor. “You turned out to be quiet a little artist, Baby. Totally bent.” The man’s eyes roam over her and she pulls her gown shut.

“Says you!” She tries to hold her own and if she's scared she doesn't act it.

“Listen, Biscuit, I don't care what ya did or didn't do. Don't matter now any which way ya cut it.” He lets out a chuckle as the other mountain moves into the room and slowly closes the door behind him. He shoves a chair under the knob to keep the door closed then folds his arms over his massive chest.

“I don't care what you or your gun mob think. I don't have any desire to talk to you hoods. Scram!” Her voice cracks. A dead give away to the fear swelling in her, poor thing.

“Easy,” he whispers as he pulls the cannon from his pocket,” or you'll be taking the pistol route outta town.”

Shelly shrieks and the man in the shadows is filled with rage. This fat-head has gone too far. The man in the shadows lifts the alley apple from the table next to him and grips it in his dirty hand. He can feel the weight of the blunt item in his hands and likes it.  The brick feels rough to the touch, but somehow his hands feel rougher. He stomps out of the shadows and the two men turn to face him. Bravado turns to horror as the light floods over the lurkers face and clothing.

Dirty and stinking, the lurker growls low through sewn and blackened lips. Bits of odd herbs and tatters of poultices drip and slither from the sides of his mouth like worms as another low, dull growling mumble rumbles into the space. His milky white eyes glare through the half-light as he stomps deeper into the room. His skin is a deep, withered gray like parchment and his dim eyes are ringed with dark circles. A zombie.

The hand cannon goes off, but it's an impulse trigger pull fired from the hip out of fear, not desire to kill. The shot goes wide and into the wall. The men stare on. Their eyes are filled with fear.

“Shelly? Hey Shelly!”  Shouts and calls fill the hallway outside as fists pound at the door and shrill voices ask if the club singer is all right.

The second man struggles to free his weapon from his coat. He doesn't have a chance. The heavy brick crashes into the side of his head hard and he goes down for the count and hits the flooring like a sack of potatoes.

Shelly’s screams fill the room as Tommy turns to face the final, now lone mountain of a gunman. “Look out, Tommy!”

The gun goes off again, but this time the deadly extension of the man's hand is leveled right at Tommy's chest. There's no quick-witted comment. No gunman bravado. Just an explosion that opens a small hole in Tommy's chest and a larger one in his back. A black, brackish liquid splatters against the wall. Another shot rips into his shoulder, but it doesn't matter. He stumbles back and slumps against the wall and slides down to the floorboards.

The gunman shivers as sweat pours over his face and hands. “Jesus.” A lamp crashes into his back and he winces. He reels around and catches the woman across her face with the back of his hand. Shelly yelps out and stumbles back into her dressing table. Glass breaks and items burst into life and dance their way to the cheap carpet as she drops to the floor far less gracefully than she dances.

The gunman pants and looks from his would be assailant to the woman on the floor clutching at her cheek and sobbing. The hallway fills with chatter and calls as the growing crowd continues to try and get through the door. Between the chair and the man laying in front of it, they can’t budge it. It won't be long now before the bulls show up. He'll have to take care of this and get out fast.

“Ok, Doll.” He levels the gun at her. “Where's the dough!” His hand shakes.

The stirring behind him makes him gasp. He turns and sees Tommy rise up from the floor. Rising for the second time this eve to take care of his girl.

Shots ring out and bullets fly as Tommy closes the distance between himself and the gunman. His ear explodes and black blood flies. His arm rips open as another bullet rings true. His leg bursts at the thigh. All too late. All too weak to stop what's coursing through Tommy's body.

The gunman's scream is cut off as Tommy's dirty, rotting hands find his throat and squeeze. The gunman tries to hit Tommy with the gun, but it doesn't phase the living corpse at all. A grin pulls at the corners of his mouth and dark liquid snakes down his chin.

The gunman sees the horror that is Tommy up close now. Sees the crude thread that holds the terrible lips shut. He smells the muck that drips from the corners of the…mans…mouth. . Sees the leaves and oily brown that glistens on the dead things lips. And the eyes. The cruel, milky eyes that narrow as more pressure is applied. The gunman has seen the look of death before, just not...moving.

He remembers, as his vision starts to go dark and the pain in his airway starts to give way to the limp darkness, where he's seen this man....this thing....before. Days earlier...at the man’s funeral.



Time flies.


The questions she had to answer were moot. It was obvious to the goons when they saw the scene before them that this was more of the same. The mob cleaning house. She'd been roughed up and some tough guy had dispatched the two and made like a bird and flown out the window. The cops had her kick it apart for them, told her that they'd be watching her and that she should wise up before she ended up as dead, then they slipped away and out as the meat wagon took away the dead.

There was no question that she didn't do the deed herself. These two mountains were manhandled in a big way. A crushed skull on one and another with his neck looking like a few sausages crudely wrapped together and his head turned almost all the way around. No dame had that strength.

Not by herself anyway.

Shelly sits and thinks it all over as she stares out of the window of her little apartment. Thinks about the money – their money – and what she'd do with what's left over. She'd paid a pretty penny for that old lady to work her magic on Tommy. Money well spent. He did say that he'd always take care of her. He always said it. She was sure he didn't mind what she'd done to him. Water under the bridge now, anyway. None of that mattered anymore.

She takes a drag on her cigarette and turns up the radio. Something slow and easy drifts out into the dark room and tears fill her eyes as she tries to forget everything. She knows she'll never be able to, however. Those eyes. Tommy's milky white....sad eyes.

Something moves in the alley and her eyes narrow. Smoke swirls around her head as the cigarette falls from her fingers and on to the floor.

Tommy stomps up to her window and lightly raps on it as the rain washes over everything.

“No. No...you can go away now!” She shakes her head as he knocks again – harder now. His terrible eyes stare at her blankly. “Go away, Tommy!” She backs up and her breathing grows more rapid. “You did good and now you gotta go. I’m ok now. You need to go away.”

He gives her the once over, cocks his head to the side lowers his arm.

She stares at him and whispers, “Go on...beat it,” under her breath. She moves closer to the window. She screams, “Beat it! Get the hell away from me.”

She doesn't have time to avoid the glass that rains in on her as his arms crash through the windowpane. She falls back into the room and hits the floor hard. The wind leaves her body in a huff as Tommy crawls into the room. He drags himself up and in effortlessly.

Dazed, she scrambles to her knees and makes for the door. Glass punctures her knee and she screams as she rolls onto her side. She looks back towards Tommy and pushes herself backwards with her hands- slithering towards the door on her backside.
“Go away, Tommy! You're scaring me! Leave me alone! Get the hell away from me!”

Tommy's groan sounds mournful. His arms reach out as he stomps over the broken glass.

She winces when she notices the massive shard of glass lodged in his guts. Entrails work their way out of the wound with each step. She gags at the visual and the rotten smell and scrambles back and away from the horror before her. Her mind franticly grasps at the strange word the old voodoo lady had given her to release Tommy from the world again.

Tommy's face is sad and his brow is furrowed. He's filled with nothing but love for her. He'd do anything for her. Had done everything for her. He even had given his life for her. His love for her broke all boundaries.

Tommy looms over her and blood drips onto her bare feet. She knocks into the desk and sends the light crashing to the floor. The room goes dark.

Fear and disgust course through Shelly as her eyes dart around for anything that might help her, then the word the old woman croaked out to her hits her like a ton of bricks. She shrieks out, “SATHRATHNA!”

Tommy feels his legs go weak. Feels the life slip from him as his eyes go wide in the darkness. He drops like a stone and body collides with hers hard.

She gasps. Air fills her lungs for the last time as the huge shard of glass wedged into Tommy's body pierces her flesh and brings the curtain down on her life. She wants to cry out, but withers away before she has the chance. Shock and terror stop her heart before her fatal wound can. The light leaves her lovely brown eyes as tears fill them.

Tommy reaches up and touches her face, then he reaches for his lips and tears away the heavy thread. Gore, herbs and a small shell fall from his mouth.

He whispers, “I…love....”



Tuesday, May 22, 2018

The Horror At Gallery Kay




I saw this film a while back and sat with it for a long while...pondering. Then, I had to send my computer away (long story) and thought about it some more while waiting for a new computer to arrive. Lots and lots of thinking. I enjoyed this film and truly think others will like it as well, but I'm not sure many people will give it a fair shake.


There are artistic horror films like THE PASSION OF PAUL ROSS and THE MOOSE HEAD OVER THE MANTEL that I really enjoyed, but that might not play well with a wide audience due to the vision being presented. This is a total shame. THE HORROR AT GALLERY KAY is one of those films for sure and I believe the only fix is to get it into the right people's hands. Maybe this somewhat long winded review will help to do so.





I'm a huge fan of The Night Gallery. Like...massive. I also love Lovecraft and Richard Matheson. Horror at Gallery Kay feels like Lovecraft and Matheson getting together and writing a Night Gallery feature film. Like some of Night Gallery's offerings, the film makers choose to let much of the visuals play in the viewers imagination instead of trying to work up a visual with a small budget that would completely take away from the film. Let me envision something - when it's done properly, it's WAY better than showing me some silly, low rent visual effects that will just come off as silly and sad.



We have several stages of story here that leads the viewer along a fun, odd little tale. Petra and Olive are having relationship issues. Things are rocky and rough and it seems like only one of them cares to try to make it work - the other opting for more of a "oh well, we gave it a go" attitude. Dr. Bozill is kind enough to work with their schedules and fits them into an evening counseling session to see if he might be the bridge to saving their relationship. This is phase one of the tale.



Phase two has us breaking away from Bozill's office and venturing out into the world to see just what is going on at Gallery Kay.

And Phase Three...is off the rails in wild, Lovecraft-like glory.





I had seen the trailer for the film, but didn't read up on it or research before seeing it. I didn't want things to be spoiled. As the film unfolded, I let myself get caught up in the character arcs and storylines. The play between the couple and therapist was wonderful and I found myself getting very caught up in things. I even had a few giggles at well placed humor bits here and there. I let things go, thinking that I might have misunderstood what I was going to be seeing, but I was ok with it because I was having such a good time viewing it.

When the "second phase" kicked in, I smiled a wide smile and thought, "Oh...here we go. I see what you did there. Nice!"  The storytelling and writing really made this for me. Like a great play, I was swept up into the story in a wondrous way. Things go from 30 mph to around 240mph and I enjoyed every moment of the ride.



I think many people will be put off by the "first phase". It really is a relationship story and sets up our characters is great detail with some fantastic performances and camera moves. However, it's not horror or horrifying. The more ADD of viewers will be bouncing in their seats and growling at the screen. However, I found it fascinating. The three actors in the scene are playing their roles to perfection and the kinetic and interesting camera moves help to tell the tale as well. I loved this - letting my idea of horror slip around a bit as I waited for things to play out.

That's what all of these more artistic ventures into horror tend to do for me. They take the genre and weave it in a little different way.  You can even see it in classic genre films like The Iron Rose by Jean Rollin. There are no chainsaw waving, masked madmen. No monsters. No ghosts. But, the ideas and worlds created send shivers up the spine and get the mind working. While I love my maniacs, creatures, and ghosties, I also love a film that gets me thinking and involved in what's going on. Gallery Kay did just that.


The team up of Abe Goldfarb and Mac Rogers was fantastic. I hope that they continue to
work together and get higher and higher budgets to play with. I'd love to se this film play out with a real heavy hitter amount of cash behind it. I loved it at this level and seeing more bells and whistles added into the mix would be a ton of fun.

This is a "thinking person's" horror film.  It's meant to be thought about and if you are not wanting to do that, don't bother with The Horror At Gallery Kay - you won't enjoy it. However, if you like really diving into a film with both feet and your brain on, I believe you'll have a blast with this film.

WELL worth a viddy! 






Abe Goldfarb - Director
Mac Rogers - Writer
Bryan Enk - Producer
Maine Anders - “Petra”
Rosebud - “Olive”
Brian Silliman - “Bozill”
Kristen Vaughan - “The Receptionist ”

Website: https://www.thehorroratgallerykay.com/


The Horror at Gallery Kay (2018) - Official Teaser from Third Lows Productions on Vimeo.













Tuesday, April 24, 2018

My Favorite DREW DAYWALT Horror Shorts



One of my favorite horror creators is Drew Daywalt. Around 8 years back, I started seeing a bunch of his horror shorts and loved them. I'd get so much pleasure in not only watching them myself, but rewatching them with others to see their reactions to the freaky tales.

I believe Drew was a script writer for a long while and branched out into doing these shorts to escape. heheh  He wrote them and Directed some of them as well. I love his pace and the fact that none of the shorts overstay their welcome. They get in, get creepy, then get out after delivering a punch or two. He's gone on to write two lovely children's books!

I wanted to share some of my favorites here, but feel free to check out his page for the full offering of shorts and his horror series.


https://www.youtube.com/user/DaywaltFearFactory/videos








And we get a little AJ Bowen in this one!




And lastly, this is some of my favorite "ghost footage" stuff. So well done. So creeeeeepy.




Dread Central Interview can be found here:
http://www.dreadcentral.com/news/13978/drew-daywalt-talks-fewdio-and-camera-obscura/






Thursday, January 4, 2018

Savageland




HOLY COW! I loved this film! 

SAVAGELAND is a riveting and completely engaging "mocumentary" about the lone survivor of a small town attack by unseen forces. He shot a roll of film with many disturbing shots of multiple attackers, but was still tried for the murders.

What really happened?



This film was a masterwork of both writing and acting. Like LAKE MUNGO, this film is presented in documentary style and interviews are held with the people involved in the investigation - both within legal realm and the news and reporting realms. The actors playing the parts sell it all without question and the writing is rock solid.

And the images that were caught on film are horrific and creepy as hell! heheheh  I love them!



 Bad acting and crap writing can kill a film like this in a heartbeat, but the writer/director team up of Phil Guidry, Simon Herbert, and David Whelan was pure perfection! Things were tight, believeable, and took a few turns that I was not expecting, but loved when I saw them.

No, there are no masked, ax swinging madmen in here or smashed in jump scares. This is a creepy tale that takes it's time telling a story and brings it all home with some nightmare fuel stills that are fantastic. A must watch for lovers of a good, creeptastic, dark story. 

Currently available on AMAZON PRIME. 



Monday, December 11, 2017

Better Watch Out





What a treat BETTER WATCH OUT is!

This will be a very short, spoiler free review.


 This film is shot well, it's packed with awesome performances, and it's SO MUCH FUN!  It's a ton of fun, in fact. It has a great style and keeps switching things up in a wonderful way.

Don't read anything about it online. Don't Google it. Just watch it!






Chris Peckover has come a long way since Directing Undocumented - a fine film, but not on this level, in my most humble opinion. I want to see more team-ups between him and Zach Kahn for sure. It made for a wondrous film experience. 

Loved this film. Watch it at once. Currently running on SHUDDER (U.S.)



Thursday, October 12, 2017

Grand Piano

Wow...wow...wow....GRAND PIANO was so intense!

Now, this is not straight horror. This is a Hitchcock-like...neo-giallo with flavors of Argento, Fulci, and Bava. It's going to be polarizing for sure. It has elements that some people will just not be willing to stand for - like it all taking place in pretty much one spot and having dialogue moving much of the plot forward. However, I loved every minute of it.

Elijah Wood plays Tom Selznick, a pianist returning to the stage after a disastrous performance five years earlier. Nervous to the point of distraction, he travels from the airport directly to the theater, changing into his tux in the limo and cutting it very close for his arrival time. His wife Emma (Kerry Bishé), a star in her own right, tries to guide him through the best she can while dealing with her own celebrity status and crowds within the theater. As he calms down enough to venture forward - trying to ignore the mean jokes and remarks behind the scenes at the theater, he's shocked to find that someone has left notes in his music pages...and that same someone has vicious plans for him.

I'll say no more. 



I was hooked on this film at the AMAZING credits (I was happy to see that they just weren't pretty visuals, too!) and as Wood rushes sadly through to the theater and we start to find out more and more about his backstory, I became more nervous and more anxious. I looked at this as a great thing because it showed that I actually cared about my lead character, not like one of these toss aways one tends to see in horror cinema. As the story went on, I became more and more concerned for Wood's safety.



The film itself is a total throwback to Argento in many ways from the camerawork to the color schemes, but it also had it's unique style and differences that made new and interesting, not just an homage. The Damien Chazelle's story was super solid, though it did have some very "giallo trope" aspects that were easily forgiven. Eugenio Mira's direction was kinetic and slick. I hope to see more from them - Grand Piano was made way back in 2013. His soundtrack for Nacho Vigalondo's Timecrimes (2007) was released by Mondo on a special limited edition vinyl.

As I said, I loved this film. It was a fun and interesting ride!   Thanks to Agent Tish for getting it on my radar! Currently on SHUDDER (U.S) at the time of this posting.








Friday, September 8, 2017

Inner Demon

I caught INNER DEMON (2014) on Prime and thought that it warranted a mini-review.

This was a very watchable film, though I think it might suffer a bit due to the poster. Looking at it, I was thinking that this was a "demon tale" or something to do with possession, but it's really not. There's the other issue - Im not sure the film knows what it is, either. :::grin:::

From Amazon:
A teenage girl is abducted by a serial killer couple and manages to escape and find refuge in an isolated farmhouse, only to discover it is home to greater horrors and a malevolent spirit.


Yeeeeeeeeah....it has those elements in there. But, it leans way over to the serial killer couple stuff for what feels like 75% of the film. Now, it's done well and there are some good performances from the films leads, so even though I'm not a big fan of that sub-genre, it still held my interest and attention. However, I had the poster in my head and kept waiting for this demon thing which I found distracting. This happens - I get it. You have to sell the movie. And to be honest, if it leaned toward a serial killer poster, I probably would not have watched.




That being said, this "thriller, mystery, horror" (from Amazon's description) is well worth a viewing. Ursula Dabrowsky's writing and direction show really well in this. There are no wasted moves as we see things play out. There are interesting subsets of plot as well that had me questioning what it was I was seeing as well which made me sit up and pay attention in a good way. I'm looking forward to seeing more from Dabrowsky - she currently only has this film and another film called Family Demons (2009) to her credit.




Sarah Jeavons, Kerry Ann Reid, and Andreas Sobik are SUPER solid in the film, turning in emotional and sometimes brutal performances that really rang true. (You did a great job too, Todd Telford!) Interestingly enough, I can't seem to see the younger child actress in the IMDB listing She was grand as well and didn't fall into the painful child actor arena, thank goodness. The situations are riveting and had me chortling at the uncomfortable nature of them from time to time.


And, when things do ramp up, they do so in a fun way that payed off, so all was well when I rolled out of this. I didn't feel like time was wasted and had a great time with it once I got over my "but, where's the demon hand coming out of her mouth come in?" poster drama. hehehehe







Saturday, July 1, 2017

XX

>> AS SPOILER FREE AS I CAN BE <<
 

I was finally able to sit down and watch XX - the film shouted about A LOT before it came out.
"LOOK! A film with nothing but FEMALE DIRECTORS!"

I TOTALLY get it, but it made me sad to think we live in a world where we need to do this sort of thing. A world where it's not just DIRECTORS WHO ARE GOOD. I think it's a sad state of affairs, to be honest. It's another sign that humans are still fighting ridiculous battles that really should have left us ages ago.

Know what's NOT ridiculous however? This film. XX was a fun and entertaining watch that I really enjoyed. 

This anthology had five main stories directed by five different directors:

Roxanne Benjamin ... (segment "Don't Fall") (screen writer / Director)
a writer and Director on SOUTHBOUND and a Producer on the VHS series. 

Karyn Kusama ... (segment "Her Only Living Son") (screen writer / Director)
Director of Aeon Flux, Jennifer's Body, and a few episodes of Man in the High Castle

St. Vincent ... (segment "The Birthday Cake") (as Annie Clark) (screen writer / Director)
relatively new to the game, really. Mostly known for her St Vincent music work
Jovanka Vuckovic ... (segment "The Box") (screen writer / Director)
writer and Director of several shorts and former Big Wig and writer over at FANGORIA magazine.

The film went with a somewhat chilling little Brother's Quay-like stop action creepfest as it's wrapper instead of having another story wrap the whole of it. This really worked for me. It was fun to see the little strange narratives play out in between the stories.

The stories themselves were solid overall, though I think only on of the segments was classic "HORROR" while the others were more...disturbing than anything else. Again, well done and engaging - they all really held my interest.

Maybe this was the "female" feel of the story writing and direction? I'm not sure. All but one of the segments was very "female-centric" as far as the main character and their journey. Well...all of them had that, really. It's just that one of the destinations was...more feral than the others. :::grin:::

I don't even want to go into story lines for this spoiler free review. That would ruin some of the stories for sure. I'm just going to say that I loved something about every story and that the acting was strong in every one as well. 

I was happily surprised to see Melanie Lynskey in here. Fantastic and interesting as usual.

I also enjoyed seeing Angela Trimbur. I saw her DANCE LIKE NOBODY'S WATCHING segment and I have to say that I have a little crush on her. :::sigh:::  :)

I think your best bet for watching this film is going into it expecting something more along the lines of "chilling" rather than "horrifying" for the most part. The stories are strong, the acting is grand, and the direction is interesting in every case. I wish i purchased the VOD version as soon as it was available instead of waiting so long. I would not have been disappointed.

Currently available on NETFLIX.










Thursday, June 22, 2017

A Blade in the Dark

A BLADE IN THE DARK (La casa con la scala nel buio) from 1983 kinda falls into the "so bad it's good" territory. It's really not a great film, but I had fun watching it and thought I'd give it a little shout out here. 

The plot is super simple. A music composer is put up in a villa to score a horror movie. The woman making the movie visits every once in a while as does the "wacky neighbor" and even more wacky girlfriend....and some other people that are lingering around. And, yup...people start to get bumped off one by one and the bodies are disappeared. 

For me, I pretty much knew exactly where this was going at the first kill. By the second, I had no doubt in my mind. Towards the end, I had my wife giggling as she half paid attention and I called out exactly what was going to happen right before it happened. 

 


It's ham fisted and basic, but it had a sort of charm to it. It's a competent film and looks very nice indeed, but the plodding, lumbering plot and set pieces are painful for the most part. There are some great gialli moments that are well worth the viddy. Some of the more tense moments are handled really well. It's just the jumbled, forced filler around these moments that tend to be hard to sit through. 

Lamberto Bava's direction was grand, but doesn't have the fun, kinetic qualities DEMONS and DEMONS 2 had. The writing of Dardano Sacchetti and Elisa Briganti  was really the real killer here. hehehe  Odd, too - I love HOUSE BY THE CEMETERY, ZOMBI, DEMONS, and THE BEYOND. Sadly, A Blade in the Dark leans more towards MANHATTAN BABY's drifting plot lines.

Worth taking a look if time allows.




Friday, June 16, 2017

The Room at the Top of the Stairs




From IMDB:
"A young artist feels overshadowed by a charismatic and dangerous girl she's never met." (I removed the second line of description because I think it gives too much away) 

Another interesting SHUDDER short film offering THE ROOM AT THE TOP OF THE STAIRS (2010)  had me staring, wondering, and interested. Write/Director Briony Kidd told an interesting story for sure. I'm just wondering if the nuanced tale and acting was a tad too subtle. Not sure a bigger push would have made this a better film or if it would have just taken it into a silly area that was too heavy handed. It's interesting to think through. I wonder if that came up in the scripting process.



The film is REALLY well shot and the acting is super solid. The 15 minutes is paced expertly and shows off Kidd's talents on both the writing and directing fronts is a very professional way. The story had me hooked and I was very interested in where it was going. And, best yet, when it got there, I wasn't disappointed. I loved that it wasn't heavy handed, now that I think about it. The subtlety was warranted and left me with a little smile playing on my lips. :)

The film's lead Fiannah de Rue is grand. She really owns the role and plays shy and curious without forcing things into over dramatic territory. I need to check out some of her other films for sure.



I hope Briony Kidd has a feature film brewing!

Monday, October 19, 2015

Tales of Halloween


A huge thank you to the makers of TALES OF HALLOWEEN. Huge.

I had a lot of fun watching this film. Many laugh out loud moments. Some grand horror moments. I'm super happy about making this purchase and...carving out some time to watch it.


Like many films before, this is a classic horror anthology. Ten tales to thrill. It's not super dark. It actually has many comedy moments and is kept light throughout. Out of the 10, only one didn't fill me with absolute glee - it only filled me with 80% glee. :)

I won't bore you with more. Suffice it to say that I love this film and will be adding it to my Halloween film watching list every year along side TRICK OR TREAT, CREEPSHOW, and my NIGHT GALLERY BluRays!!! :)


Do yourself a favor - watch this RIGHT AWAY. Invite friends! Order pizza, make popcorn....maybe serve a few adult beverages and have a ton of fun.  So good!

Keep an eye open for the amazing cameos as well!

Great work by some great people including.....

Directed by

Darren Lynn Bousman ... (segment "The Night Billy Raised Hell")
Axelle Carolyn ... (segment "Grimm Grinning Ghost")
Adam Gierasch ... (segment "Trick")
Andrew Kasch ... (segment "This Means War")
Neil Marshall ... (segment "Bad Seed")
Lucky McKee ... (segment "Ding Dong")
Mike Mendez ... (segment "Friday the 31st")
Dave Parker ... (segment "Sweet Tooth")
Ryan Schifrin ... (segment "The Ransom of Rusty Rex")
John Skipp ... (segment "This Means War")
Paul Solet ... (segment "The Weak and the Wicked")

Writing Credits (in alphabetical order)

Axelle Carolyn ... (segment "Grimm Grinning Ghost")
Andrew Kasch ... (segment "This Means War")
Neil Marshall ... (segment "Bad Seed")
Lucky McKee ... (segment "Ding Dong")
Mike Mendez ... (segment "Friday the 31st")
Dave Parker ... (segment "Sweet Tooth")
Ryan Schifrin ... (segment "The Ransom of Rusty Rex")
Clint Sears ... (segment "The Night Billy Raised Hell")
John Skipp ... (segment "This Means War")







Wednesday, August 26, 2015

The Big Bad

I just caught an odd little film called THE BIG BAD and I enjoyed the hell out of it.  This genre film really makes an effort to be different and to bring that difference to the table in spades. It's a styled and crafted fairy tale for the time and it's well written and executed. I wish I had watched it around 2am or 4am like I did with THE STRANGE COLOR OF YOUR BODY'S TEARS.  That would have been perfect - this film has the same dream / nightmare quality to it.

Bryan Enk's Direction is fun. It has a little NIGHT GALLERY, 70s horror vibe to the whole of it. The camera is kinetic and wild as it takes in all of these strange sights and sounds. 

Jessi Gotta wrote the story and stars in the film, which is interesting. I think she does a grand job in the role. The writing is very "fairy tale" and it hits a few fun moments throughout the storytelling. It's wild stuff. A little rough around the edges at times - sure, but well worth the view. It's highly entertaining.


Now, mind you, this is a lower budget feature and I'm sure people can poke holes in it left and right, tossing stones around in their glass houses. hehe  However, I liked the newness and the craft of the tale. I found myself smiling and thinking how nice it was to see something different roll through. I wasn't even second guessing where it was going. I was just happy to be along for the ride...wherever we were going.

The plot is rather straight forward. A woman is "searching for the monster that destroyed her family" so she can get her revenge. She meets a wild cast of characters along the way and goes deeper and deeper down the rabbit hole as she gets closer and closer to the monster she's searching for. But, what a strange journey our Alice - Frankie Ducane (Jessi Gotta) - takes along the way.

It's currently streaming on NETFLIX as of the time of this posting - check it out when you're in the mood for something that leans towards the strange and dreamlike.






Jessi Gotta's 2013 film - THEY WILL OUTLIVE US ALL - needs to be watched now! I need to check it out. It looks like she produced a short in 2014, but has not done anything since. I hope she hasn't stopped writing. I dig her voice.